2011 Leonard Maltin Guide: Actors and Directors Index Adds
With the newMaltin Guidecomes the addition of new names to the star/director index (and axing of others). Last year 21 people were cut and 12 added. Oddly, this year, no one was cut and there were but 3 additions (all new Oscar nominees)! I have no idea what this means. It sounds as if the editors have just thrown in the towel on the index though, knowing the power of such searches online— at this point between smart phones and WiFi I guess the theory is: who really looks at the index. But in a way it starts to relegate the book itself to a shelf ornament. This was the first time that I really started to think that the print Maltin may be heading the way of the dodo bird. Cutting them some slack though— maybe, just maybe, they didn't need to do much in the way of changes because of the wholesale work done last year. Here are the few "graduates" of the class of 2009/10. New "Faces" added to theLeonard Maltin Guide 2011Index: STARS—
Here is a list of the 2018 films I've seen, and my opinion of them. Filmmakers who toil on the almost-impossible mission of making a feature length film should not have their work dismissed on a pass-fail basis so easily. That being said, this is just one man's opinion, and on a blog at that, and the savvy moviegoer will read enough of the reviews of professional film critics to allow a blog here and there to "list" favorites and least favorites.
Must See
Quiet Place, A. Farfetched, but compelling in its short running time, with a perfect ensemble.
Recommended
15:17 to Paris. Modest, sincere.
Avengers: Infinity War. Gets all the characters in; Elizabeth Olsen a standout, providing some heart.
Black Panther. A rich narrative, which introduces several compelling characters.
Crazy Rich Asians. Production values and spirit go a long way in generally standard romcom plotting.
Deadpool 2. Just like the first, with some brilliant song choices.
Eighth Grade. One of the many in the "awkward adolescence" coming-of-age genre, but a place, awkward and all, that was worth visiting for 90 minutes.
Game Night. Screenwriter-y nonsense, with hit or miss laughs, but a fun cast and enough silliness to brighten your day.
I Feel Pretty. A bit of a mixed message, but much funnier than its reviews suggest.
Isle of Dogs. Yeah, mostly cutesy.
Ocean's 8. Follows the formula well, with great ensemble work.
Paddington 2. Another winner, with an enjoyable Hugh Grant performance.
RBG. Informationally great, but very standard execution.
Ready Player One. Harkens back to Spielberg of old.
Spy Who Dumped Me, The. A surprise, with some intense action and many laughs.
Star Is Born, A. Old-fashioned Oscar bait; Cooper's performance better than his direction that nonetheless has sparkle at times.
Won't You Be My Neighbor? You're a better man thn me, Fred Rogers.
Skippable
Action Point. Barely even tries.
Ant-Man and the Wasp. Disappointing follow-up to the brilliant original, is still a decent entertainment.
Incredibles 2. Better than the first, even after all these years.
Jurassic World: Fallen Kingdom. Probably the best that could be done when locked into this formula.
Mission: Impossible: Fallout. Way overrated, and quite formula, has exciting moments in its finale and Cruise must be credited for going through the intense workout.
Skyscraper. The height stuff is exciting and Neve Campbell is both still cute and capable, but there was no way this was gonna be great.
Solo: A Star Wars Story. Patchwork, the least good SW movie, if it has its merits; lead Alden Ehrenreich, for all the rumors, was quite good.
Tag. Wishes it were "Game Night."
Tomb Raider. Vikander is certainly pretty enough, but it's just a tired formula film still reaping rewards from (1981s!) Raiders of the Lost Ark.
Tully. Not a particularly compelling movie that might have been better as short fiction.
avoid
Annihilation. Slow moving and derivative.
Red Sparrow. Corny and absurd.
Super Troopers 2. Like a way-too-late TV series reunion.
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