The two April films I saw were the documentary, Anvil: The Story of Anvil and Adventureland. Anvil was a fascinating look at failure but didn't quite come together completely and, clearly, the filmmakers did not have an "end" to the story and kind of made one up. Worth perhaps a peek. Adventureland is being TOTALLY mismarketed as a "wacky" comedy, which it's not. In fact Kristen Wigg/Bill Hader's comedy relief comes dangerously close to detracting from the film [the trailer would practically have you believe they're the stars]. Adventureland has a definite "you have to be in the mood" quality, but it's a high point in the 'days of summer' genre.
On TCM saw: One Night of Love (good, but has a lot of cliche moments: It Happened One Night had nothing to fear on Oscar night) I Married a Monster from Outer Space [1958] (a semi-cult classic which was very good, but considering where they could have gone with it, such a missed-it-by-that-much experience; had the filmmakers gone all the way with the ramifications of the relationship between the woman and her "alien" husband, who begins to have human emotions-- it could have been a knockout), and Lubitsch's Broken Lullaby (his "notorious" drama, starts strong, but then gets pretty heavy and the acting's not too hot either; has that early '30s stage bound feeling too; an interesting curio though and definitely no-holds-barred in terms of its antiwar message).
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