
Clouzot was known as a perfectionist; like Hitchcock, he both sculpted his scripts and planned his shots during pre-production meticulously. Ill health throughout his life limited the number of feature films he made to about a dozen.

The Wages of Fear won both the Grand Prize (later known as the Palme d'or) at Cannes and the Golden Bear at the Berlin Film Festival. Bosley Crowther ended his New York Times review of the film thusly: "The excitement derives entirely from the awareness of nitroglycerine and the gingerly, breathless handling of it. You sit there waiting for the theater to explode."
The Wages of Fear (1953): A devastating study of human nature, this movie hits you right between the eyes with what we’re all capable of, depending on the circumstances, not the least of which is courage but most frighteningly, a willingness to forget your own humanity; a despairing look at our own individual, selfish psyches presented in the form of a suspenseful thriller.
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